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Sounds

UK

Sounds was a British music magazine, published weekly from October 10, 1970 – April 6, 1991. It was well known initially for giving away posters in the centre of the paper (initially black and white, but colour from late 1971) and later for covering Heavy Metal (especially the New Wave of British Heavy Metal (NWOBHM) and Oi!) music in its late 1970s-early 1980s heyday. One of the trinity of British music weeklies along with the New Musical Express (NME) and the Melody Maker it finally folded in 1991 due to falling circulation. A legacy of Sounds however, was the creation of the Heavy Metal/Rock magazine Kerrang!, which was originally issued as a supplement before being spun-off as a separate publication, which continues to this day. (wikipedia)
 

1970 November 7

Zappa – the great satirist
Interview by Bob Dawbarn, 1 p


There are revolutionaries who hail this former advertising executive as their own. There are record company executives who regard him as one of the most cunning capitalists in the business. There are musicians who consider him a fine composer – composers who rate him a superb musician.

Me? I think he is one of the greatest satirists of our time.

We are probably all wrong, or, at least, only partly right. Each of our do-it-yourself Frank Zappa kits only reveals more of what we want to believe' than it does of Zappa himself.

He is the distorting mirror in which we look at our twisted selves and the cock-eyed, unfair society we have constructed. (read more)

 

 
  1971 October 23
  200Motels – The Film – The Album
Steve Peacock, 1 p

 

 

 

1971 November 27

Zappa's Latest Box Of Tricks
Steve Peacock, 1 p


I was starting to ask about the way he's approached making the movie. He's explained at length before what the film was about how it showed that touring makes you crazy, but presumably he'd seen other pop films and he had ideas about how to do it himself. He immediately picked up on the phrase "pop films".

"I'm not an avid fan of pop films, but you get dumped into that category by virtue of the fact that the film revolves around a group of people who happen to be musicians. I think I would use the same people whether they were musicians or not. I happen to be interested in making a musical film, but a lot of the music in it is not pop. In a way that's unfortunate because it's not like one of those regular rock and roll movies."

"But as far as the ideas for the technical things went, I had seen many examples of the special effects you can get, and I had some idea of the capabilities of video technique. 99% of the effects in the movie happen live while you're working, which means you can see how they're going to turn out at the time, and you don't have to send them away to a lab and get them to do it for you. If you don't like it you just erase it and do it again. It was extremely appropriate for this film." (read more)

 

 
  1977 February 12
  It Can't Happen Here
A long look back at F Vincent Zappa and his very special bands from LA (and other places)
Mick Brown, 4 pp

(full text available @ Frank Zappa: Hot Rats)