Melodie
1969 February
Underground music a její sociální
otazníky (Underground music and its social question
marks)
By Jozef Kotek, pp 37-40
1977 April
Albový glosar - Pink-floydová říše
zvířat (Album glossary - Animal kingdom of Pink
Floyd)
By Petr Dorůžka, p 121
Petr Hapka was a Czech composer, one of the most significant composers of Czech film music scores.
Don't You Ever Wash That Thing (F.Zappa). Frank Zappa a Mothers. Discreet 257 741 [probably Roxy & Elsewhere]
Z toho září génius. Je vidět, že to hrajou & píšou lidé, kteří vědí, že ve tři nemusí vypadnout ze studia, aby chytli autobus, jenž je doveze k vodě, kteří nemyslí na to, kolik mají za nahrávku, prostě myslí jen na muziku. Oni se v noci budí hrůzou z toho, jestli ten tón, který “odpoledne zahráli, je dobře, a druhý den ho budou celý den poslouchat & pak ho přetočí & za tři dny se k němu vrátí. Je to totéž, jako když nějaký jihoamerický pastevec vezme do ruky píšťalu & někdo ho omylem natočí, protože ten člověk to taky myslel jen kvůli hudbě, a je úplně jedno, jestli tam jsou tisíce aranžérských kliček nebo jedna flétna, do které někdo funí. Prostě je to muzika, které jde zevnitř, a žádní plagiátoři tohle nikdy nedokážou.
Automatic translation: A genius shines from it. You can see that it is played & written by people who know that at three o'clock they don't have to drop out of the studio to catch a bus that takes them to the water, who doesn't think they have to record, just think of music. They wake up at night if the tone they played in the afternoon is good, and the next day they will listen to it and then rewind it and come back to it in three days. It's the same as a South American shepherd taking a whistle & someone accidentally rotates it, because that guy just thought about music, and it doesn't matter if there are thousands of arranger loops or one flute to which someone is blowing. It's just music that goes from within, and no plagiarists can ever do it.
1977 October
Třy maski Kapitána Beefhearta (Captain
Beefheart's three masks)
By Petr Dorůžka, pp 304-305
Jiří Stivín is a Czech flute player and composer.
Ian Underwood Whips It Out (Live On Stage in Copenhagen). (Frank Zappa) Mothers Of Invention. LP Uncle Meat, Bizarre
1980 May
Ze světa ([News] from
the world)
p 139
Putování Lennonovou Utopií (pt 2) (Wandering
Lennon's Utopia)
By Jiří Černý pp 146-147
1980 June
Budou múzy fúzi přát?
(6) (Will the muses want a fusion?)
By Lubomír Dorůžka, pp 173-175
O superhvězdach, Bumbrlíkovi a nenormálnostech
By Lubomír Dorůžka, p 183
Jak ja to slyšim (How do I hear it? [kind of
a blind date])
By Daniel Fikejs, p 185
The series of articles by L. Dorůžka about fusion music was printed in all issues of 1980.
Half of the article on page 183 is about film Baby Snakes.
Daniel Fikejs is a Czech composer. He's talking about "Dong Work For Yuda".
1980 September
Ringo Starr, hračička i bez paliček
(1), (Ringo Starr, a drummer even without drumsticks)
By Jiří Černý pp 270-271
Jak ja to slyšim (How do I hear it? [kind of
a blind date])
By Jan A. Pacák, p 281
The article on Ringo Starr contains references to 200 Motels film.
Jan Antonín Pacák was a painter and musician. He is talking about "Brown Shoes Don't Make It."
1980 October
Ringo Starr, hračička i bez paliček
(2), (Ringo Starr, a drummer even without drumsticks)
By Jiří Černý pp 302-303
Pavel Pelc is a Czech musician, bass player, singer, songwriter and entrepreneur. He is talking about "I Promise Not To Come Into Your Mouth".
1982 July
Telegrafický průvodce Frankem Zappou
(Telegraph guide by Frank Zappa)
By Petr Dorůžka, pp 208-209
1982 August
Telegrafický průvodce Frankem Zappou
(2) (Telegraph guide by Frank Zappa)
By Petr Dorůžka, pp 238-239
On page 177 is a picture of Frank Zappa and Mejla Hlavsa, the founder, bassist and main songwriter of the legendary Czechoslovakian underground band Plastic People Of The Universe.
Source: Václav Pěnkava